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Introduction The Canon EOS 5D series is arguably one of the most recognizable camera lines of the digital age and the Mark IV is designed to appeal to the same wide range of enthusiasts and professionals. Nearly identical-looking to its predecessor, it receives substantial upgrades under the hood, including: a higher-resolution sensor with Dual Pixel autofocus, 4K video capture, an upgraded AF system, a touchscreen, improved weather-sealing, built-in Wi-Fi/NFC, an interval timer and GPS. All this adds up to a camera that fits into Canon's product line nicely as the all-around full-frame option. It is built around a new 30.4MP CMOS sensor and uses the Digic 6+ processor.

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The AF system is from the flagship 1D X Mark II and contains 61 AF points (41 of which are cross-type) with up to 24% expanded vertical coverage compared with the system in the Mark III. The center point is sensitive to -3EV in One Shot (AF-S) mode (in Live View the sensor is sensitive to -4EV with a fast lens). 4K video capture is a welcome addition to this camera and users can record in either 24 or 30p, albeit with a 1.64x crop. All footage is captured as Motion JPEG. Additionally, the camera allows for 4K Frame Grabs, effectively giving users 30 fps stills shooting with (Dual Pixel) AF. We've seen that, but it may still have some merit for capturing the decisive moment when 7fps just isn't enough. While developing the IV, Canon says it sought feedback from 5D-series users and found that dynamic range, resolution, AF precision and AF speed were the four most important areas improvements were requested.

On paper, the Mark IV seems to address these aspects nicely. The 5D Mark IV is Canon's first full-framer that can continuously focus in Live View during stills capture, and because of the way Dual Pixel AF works, focus is generally very accurate, even with fast lenses. It's surprisingly good at sticking to the original subject (or face) you initiated focus on, and it's easy to specify your subject by tappping on it on the touchscreen in 'Face Detect+Tracking' mode.

The 5D Mark IV also has some new tricks up its sleeve including Dual Pixel Raw, a nifty option that can prove useful in specific shooting scenarios. It works by recording two 30MP images, one from each of the 'left-looking' and 'right-looking' photodiodes at each pixel. Previous Canons have combined these two signals at each pixel, but Dual Pixel Raw gives you the option of keeping them separate. This results in a file that's twice as large, but one that allows for 'image micro-adjustment,' 'bokeh shift' and ghosting reduction (more on this on our ) in Canon's supplied Digital Photo Professional software. Compared to its peers Canon now offers a range of full-frame models. On the high end you have the Canon's sports and action-oriented 1D X Mark II, with its 20.2MP sensor and 14 fps continuous shooting (with AF). The 5DS (and 'R' variant), with their 50.6MP sensors, are the company's high resolution options.

The 5D Mark IV splits the difference in terms of resolution and is positioned as Canon's all-rounder. For those on a budget, the EOS 6D soldiers on, four years after its introduction.

So how does the 5D Mark IV stack up against its closest sibling and predecessor? Take a look for yourself. I just thought I would give a review of my 5D Mark 4. I shoot pro sports 4 to 5 days a week. I bought this camera 6 months ago and while at work it quit working.

Wouldn't do anything. I tried every lens and battery to make sure it wasn't that.

So the next day I sent it to Canon. They replaced the entire motherboard in a brand new camera. When I got it back it worked for 5 frames. I sent it back again and they replaced everything else. I now can not trust this camera. I have asked for it to be replaced but have not heard back.

When I do I will let you all know. I bought Canon 5D Mark-IV on 10th April 2017 and on 21st of August 2017, IT DIED. I was in the middle of a project and all of a sudden my camera stopped working. It just wouldn’t turn on. I sent the camera to the shop where I bought it from. After a day I came to know that one of the boards of Canon 5D Mark-IV is dead. This situation was very shocking and alarming for me because: I was on a project and relied completely on my 5D Mark-IV as I never imagined this brand new camera would betray me yet IT DID and i was helpless at that moment.

I highly recommend to everyone out there if you have this camera and you work as a professional please have another backup camera in your gear bag. Another painful thing is now I need to wait at least 45 days as the warranty claim process requires this much time. I will get the upgrade as a part of the price i payed for the camera earlier this week. I have a C100 mk. II allready (with an Atomos recorder), so it will match the footage from that. I will primarily use the 5D4 as B-cam for the C100 and mostly use 1080 (where i don't know if the c-log will work), and as a great stills camera. I upgraded from a 5D2 - skipping the 5D3.

The 1080 out of the 5D4 is so much cleaner than what i've seen from the 5D3. And i can use a (now pretty cheap) Atomos to get 4.2.2 in 1080 - 8bit (i know) as my C100 II.

One feature not mentioned in reviews, but selectable from the menu, is the Digital Lens Optimiser. This is claimed (among other things) to cancel the effects of the AA filter and yield sharper images. I selected it when I first set up the camera, and then went into panic, thinking that I had a faulty camera, because it renders continuous drive unusable. Reading the manual indicated that when this feature is selected, the buffer will be slower to clear.

Canon are not kidding - it takes at least 2-3 seconds to clear after a single JPEG taken with DLO selected! Canon - you need to fix this pronto. Firmware update???? Giovanni - I didn't know that.

Does anyone actually use DPP? I find it pretty awful and most reviewers express similar opinions. I haven't tried using it in DPP but it would be interesting to try it and see if there is any noticeable improvement in IQ. I suppose it's easier than playing for several minutes with Lightroom sliders to try and achieve the same result.

No way would I utilise the in-camera DLO though - not with such a huge time penalty that could easily result in missing an important moment. I guess it's real value would be for tripod-based photography, when time is not a major issue. Much like Dual-pixel RAW, it seems to have very limited value at its present stage of development, but when faster processors and new algorithms become available it could have real benefits. I think it's probably been stated throughout the (many) comments on the a99 II, but the Sony's screen isn't touch-enabled while Canon's touch interface is one of the most polished on the market, the Sony's screen is a magnet for fingerprints even without touch sensitivity, the protective coating degrades quickly and requires replacement for best visibility sooner than you might think, and a majority (though not all) of the staff finds the Sony's tilting mechanism to be fiddly in actual use, especially with the camera on a tripod. But especially for the above quote you've selected, we find touch functionality to be generally as useful if not more so than tilting functionality.

Having both, of course, would be ideal. Then we'll have to disagree on this because I find an articulating non touch screen way, way a thousand times more useful than a fixed touch screen. You let too much of your personal prejudices and opinions influence you on this. I would have to say that at a minimum a flip screen is an absolute necessity on anything but a pocket camera these days making the 5D IV about an 80 rating in my book.

A touch screen is just a nice feature and nothing more. I believe that most people agree with me on this as a recent DPR poll pointed out. BTW, I have owned various Sony cameras since 2008 and have never had the coating disintegrate.

I simply don't understand the idea that Sony's articulating screen is fiddly since I find it really easy to manipulate including for tripod use. I wish I lived in Seattle so I could show you how to use the darn thing. Tbcass - I think both are equally valuable.

The touch screen on the 5DMkiv (yes I finally bought one) is extremely good, far better than using the AF toggle to make selections in Quick view, and for reviewing pics, swiping and pinching is much better than using buttons and dials to chimp or rate pics. It really does make a big improvement to handling, compared to 5DMkiii and 5DS. As Carey says, it would also be very nice to have a tilting screen, and I'd certainly find plenty of use for one. I'd prefer a tilting screen to a fully articulated one, simply because the latter would involve yet another unwanted rearrangement of back of camera buttons.

I'm a little puzzled by Carey's condemnation of the a99ii screen though, as surely it is too early yet to pass judgement on the longevity of the screen coating? Yes, I realise that, the point I was making is that this hasn't been proven to be applicable to the a99ii model. It is quite possible that Sony have taken this issue on board, and fixed it on the a99ii. I'm sure potential purchasers would like to know whether Sony has sorted this potential problem. I certainly agree that it is wise with ANY camera, to fit a screen protector.

It's the very first thing I do when I buy a new camera, and doesn't affect touch-screen usability (at least, not with the 5DMkiv or 80D, I can't vouch for other touch screens). The 5D IV is my preferred hitter, uses the current lens stable and I like the results.

After an early foray in digital, I moved 20D (still have it) 5D1, 5D2 and 5D3. The 5D IV shutter slap is sweet, distinctive in the way the film Leicas were, the M9 is okay, not the same. (I'm collect Screw and RF Leicas).

A substantial investments in lense says Canon. I was looking at the same question on the 80D you mention. I bought the 80D as my sorta Canon lite. It's not a lot smaller, but it is lighter as are the smaller format lenses.

I shoot most when I travel. At home and retired, it's with18-200 Tamron, mostly for my 7yo and 16wk old German Shepherds.

I use it with a long FF 70-300 DO and a Sigma Bigma (50-300) for wildlife in suburbia or the lighter weight 18/200. I would prefer the 5D IV but the 80D is there without breathing hard. I love my film cameras, but - that really gets involved and digital does things film doesn't - or makes it much easier. Alright - just to make sure that my intent is clear as well, what I meant was that the timestamps on these comments and replies are broken. I don't know if this problem has been noted. Perhaps it's related to the fallout from the Amazon S3 failure. Specifically, whether logged in or out, when I mouse over the timestamps, rather than getting the exact time of posting displayed as it used to do, I get 'Posted GMT', with a date and time presumably missing between 'Posted' and 'GMT'.

I trust you'll know whose attention to bring this to. My limited experience with the 5DMkiv is that the AF is quite good at tracking moving subjects across the frame, about as efficient as the 7DMkii in that respect.

However, all the reviews that I've read, are clear that the Nikon D500 and D5 are much better in as much as the Nikon tracking system is more intelligent. The Canons need a lot of experimentation, but the Nikons apparently get it right 'straight out of the box', and don't need the iTR feature (or to be more accurate, it's built in, but not listed as a selectable feature). Dropped the ball with the video features, which is a bit weird given Canon pioneered DSLR video with the 5D2. Yes Canon are obviously looking out for their C range video bodies but for three and half grand what's lacking on this is severe. And there's simply to much alternatives on the market for their marketing decision to make any sense. Yes Canon make quality, and it has always costed; but the video misses for specifics so obvious from a film maker's point of view are incredible.

Maybe Canon need to less cluster their camera range. And concentrate. I almost bought one of these but was driven down the A1 having this all explained by a film maker. Good for stills I guess, though a tab pricy.

I'm not sure that's the conclusion I'd draw, personally. At ISO 6400, the Mark IV's shadows are less noisy, even when compared at 100% view. Compare with them scaled to the same size and the IV looks even cleaner. Also - something that our standard studio scene can't show - the 5D IV's dynamic range will be better than the Mark II's. This means you'll be able to pull the shadows up more on your images before noise becomes a problem.

However, there is no single metric for 'IQ' so I can't be sure what aspects of image quality you're referring to, nor know what your personal preferences are. To my eye, the Mark IV looks better. Yes I think dpr has hit it on the nail here. There are much better specified cameras (e.g. Sony a99ii), but where the Canon really scores is in usability.

It just feels absolutely right in the hands, most of the features are very well implemented., making it very intuitive - almost an extension of the hands and eyes. A very different experience from some other brands, which I won't name, as it will just encourage silly fanboy warfare. The Digital Lens Optimser is NOT well implemented - see my post higher up on this page. Would anyone happen to know electronic ND filter is built in to this cam or not. As lenses are getting super size, getting filters to fit different lenses is hard.

I use cokin/lee system. Still, mordenizing the cam to have one fewer thing to pack is god sent:-). Just thought of an idea. What if the lens adapter to the mirrorless cam has an opening for a 'standardized' filter. It is kind of like the filter slot for the super tele. In this case, that slot is fixed to one super tele.

Advantage of the opening slot on lense adapter is thst one standard filter diameter for all lenses attached to it. This allows the same filter to reuse across all lenses.

This thread is getting ridiculous and boring. Who bought a Canon 5D IV want information to help make the most of the camera. Those who want to buy then demand information to help make the decision. But in fact what we see are people who will never buy any camera of Canon 5D IV level and are putting defects and quoting features of other cameras. These people should leave the Canon 5D IV thread and migrate to the threads of other cameras. But they will not migrate because in these threads they will not find anyone to engage in polemics.

'These people should leave the Canon 5D IV thread and migrate to the threads of other cameras' Try that on Apple forums, especially the one here on DPR about the new MacBook Pro 2016. Nothing but constant trolling and it's very obvious who's buying, who's not and who is trolling. Makes for a dump fest. If you expect nothing but positive posts for the Canon 5D Mark IV then it's best for you to stay off Internet forums. In a perfect world we would all like our fave product to have all positive reviews and feedback but that's not realistic and certainly not helpful for people truly interested in buying the 5DIV. @bobfonte check out any youtube review of the camera. Any review boils down to the the same considerations: the camera delivers what professionals need, however it is offers a dull performance, just enough to catch up with the competition offerings.

Considering the slow refresh cycles of this model, to me this is disappointing and Canon is heavily relaying on the quality/ruggedness of a body backed up by a comprehensive system and their market momentum to make a far too conservative products. I really believe that Canon must have innovative products in their pipeline. To me this step is only justified by an imminent new product and Canon rightfully wants to leave a sufficiently large market gap in place. The 5DIV will be outdated in under one year, never mind the full 4 years of its typical life cycle. I've picked up a secondhand 5D III with around 40,000 clicks on it for £1,400 with warranty. I don't need the extra resolution of the IV, never had a major issue with dynamic range, and I'm willing to bet the extra resolution is enough to give some lens versions problems with quality especially at wider apertures.

Since I already had to update my 16-35 f/2.8 when I had the MKII (a camera I never liked much), I'll stick with the III until upgrade is enforced by the age of both my bodies. Oh and better high ISO performance is almost always negated by higher resolution. It becomes a struggle to handhold even at 24MP. 30MP won't make it any easier. My advice is, if you must upgrade or replace, unless you really NEED the IV, get a III. It's still a superb camera.

The cost of new camera equipment has become eye-watering of late and there may be various factors influencing this. It could be Canon just 'being expensive' or it could be something to do with currency strengths/weaknesses, the cost of raw materials, who knows? I'm not sure lower prices would necessarily be a good thing, but it can be hard to make a living in an industry where the tools for the job are going up in price while the perceived value of the photographer's output is still quite depressed. There's no easy answer to any of this. I keep trucking, I've managed to keep my rates up better than most, but £3,500 for a camera would not make great business sense to me. Of course there are plenty of amateurs out there who will buy the MK IV and enjoy using it on their holidays.

It's a funny old world some times. ' Who Dares Wins ' is not the philosophy Canon goes. No sensor stabilization, no articulating screen, mediocre frame rates, lower resolution sensor (compared to peers), video that has inspired more YouTube trolls than exploding Samsung phones, not small, not light, still has an AA filter, is expensive, still has an optical viewfinder, and just improved high dynamic range but still behind the pack.

How is the Pentax K1 a Silver and this camera a Gold? Maybe their scores got switched. Wait until the Sony A99ii comes out, and comes out with all of the features Canon overlooked.

Only 3 answers to multiple claims and those are weak. OVF superiority does not exist. It's very controversial at best. Some like the ability to check your exposure and other features only found in a EVF.

More and more cameras are including them, OVF's have few benefits and it will be harder to justify their use. In lens isn't superior when the lens you are using doesn't have it. Yes, Pentax AF isn't as good, even a broken clock is right twice a day.

The Sony won't have the same AF issues and all of the brands work for most purposes. In conclusion, Canon's 5D Mark 4 is an insult to anyone who waited more than a day for it. Carrmack - A piece of information that you may not be aware of. Canon regularly sends out on-line feedback forms to its existing customers - I've had several of these during the last 3 or 4 years.

The forms include questions such as: Do you want complete redesigns, or iterative changes? What is more important to you - more megapixels or greater dynamic range? How important is video to you? Do you want built in flash?

Do you want an articulated screen? Do you want an AA filter? My response was to ask for improved dynamic range and reduced noise at high ISO. I stated that 30MP was sufficient as they already have 50MP models.

I said I preferred a fixed touch screen. I said I preferred iterative changes rather than revolutionary changes. I got almost exactly what I asked for, so presumably most other respondents asked Canon for exactly the same things.

That's interesting entoman. To go even further, it also occurred to me that what is popular to American photogs may not be the same in Japan. Maybe the feedback they are getting directly from current Canon users also differs from the market in general. Whatever the reason, Canon is losing market share here in the US for sure. Two things occur to me though, why would you want a AA filter and why not have an articulating screen when you can always choose not to adjust it? Those two things also happen to be the two biggest complaints about the IV, not getting into video. Carmack - I find it sad that Canon is losing ground.

I've owned or used almost all of them at some stage and found them very pleasurable to use, and to provide fine images. I chose my 5DS over the 5DSR because I don't want to risk the unslightly moire effects that sometimes affect cameras fitted with AA filters. I shoot wildlife with fine details like fur, feathers and butterfly wing scales, all of which can be affected by moire. 5DS images sharpen up extremely well, without introducing moire.

A fully articulated (80D-style) screen would be very handy, but might increase fragility. My cameras get bashed regularly and have to be tough. I've seen my 5DS go crashing down onto boulders twice, once having fallen out of a rucksack that I forgot to zip up properly when working in a hurry, the other time when I tripped. It survived these ordeals with little more than a couple of scuff marks.

@Carrmack Canon, as any leading brand in any market, has the luxury to moderate their pace and afford to loose some ground. Do not need to run if you can get away with walking. I am sure that the R&D department has been busy and Canon will release at a critical time the product necessary to regain ground. It is also true that many pro photographers are very conservative in their way of shooting.

But this is changing fast too. Who claims that OVF is superior and in lens stabilization is superior is obviously a very conservative shooter that is likely making the statement without having any experience of current state of the art mirroreless such as an A7RII. Armandino - Yes, as market leader, Canon can afford in purely economic terms, to loose some ground, but even the most ardent Canon enthusiast (that includes me) is concerned that Canon specifications (and to some degree, performance) are not keeping up with Nikon and Sony. Most of us stay with Canon because we love the ergonomics, reliability and the lenses, but that doesn't mean we are satisfied with Canon's deliberate decision to release models with relatively inferior specifications, when they are perfectly capable of giving us more, and at a price that competes better with Nikon. @entoman I agree with you, but I believe that at Canon they know what they are doing. My gut feeling is that they are squeezing every drop they can from their old technology before moving on. As I replied to you down below in and older post, I bet there is an innovative FF mirrorless from Canon around the corner, with a high performance do all Dual Pixel AF, and the 5DIV is purposely designed with conservative specifications for readily retire in favour of a new generations of cameras, at the time when the majority of photographers (including the more traditional shooters) will be ready to make the switch.

That is why I primarily shoot with an A7RII with Canon lenses. This little camera came around at the perfect time and it fills the perfect purpose, while I wait for the Canon mirrorless to come. Armandino - Yes, I understand Canon's philosophy that they only give us what they think we need (reminiscent of Apple), and only release new technology when they are satisfied that it is mature and fully tested. But, the problem is that many Canon users are already switching to Sony, and if Canon don't speed up, more people will jump ship. Furthermore, newcomers may be more attracted to Nikon, Fuji, Olympus, Pentax or Sony, so Canon will be unable to build brand loyalty. Canon are playing the waiting game, but meanwhile Nikon are pulling ahead. Sony already have quite incredible cameras, and as demonstrated by the recent a99ii, they are now not far behind Canon/Nikon in ergonomics either.

@entoman you do not have to convince me about your frustration and concern. My main body now is the A7RII, I am in the process of getting rid of my 7DII and preparing to purchase the next FF Sony coming out next year. At this very moment FF Canon offering is lame, I just had a friend asking me what to buy and I could not really give him a clear answer. 5DIV is realistically overpriced and only justified by who makes real money out of it. 6D and 5DIII are great cameras but outdated. Hopefully 6DII is around the corner, but I am not holding my breath as it will be clearly a step down from the 5DIV.

Yes, the 5DMkiv is overpriced and far from cutting-edge in specification or image quality. I've got 5DS, 5DMkiii and 7DMkii. I think that the best cameras Canon currently make are 80D in APS format, and 5DS in FF. The latter is extremely good in all respects apart from high ISO, where the quality drops below the standard I demand, above ISO 1600. My 5DMkiii and 7DMkii will go on ebay soon, but I'll keep the 5DS and pray that Canon bring out something with a sensor as good as that in the a7Rii with the next iteration of the 5DS. I might be backing a losing horse though!

@entoman at the time I was going to get the 5DSr, I even tested one in the store. Very familiar as I lived and breathed a 5DIII for almost 2 years. I am happy I picked the A7RII instead. I need to deal with quirks and bugs, but I it really offers expanded creativity when compared to a conventional DSLR. For me the choice was easy as I have a 1DX to fall back on if things do not pan out with the A7RII, but I have to say that I am using the 1DX less and less, even for sports.

I am really looking forward the new Sony mirrorless. If the leap is comparable to the previous iteration it is going to be just incredible. Armandino - yse, I think the next generation of E-mount Sony will be amazing.

I held back from getting the a7R and a7Rii mainly because of the ergonomics, which are still way behind Canon or Nikon, but I suspect that Sony have learnt a lot, and that the next iteration will be much better in that respect. I'll also be keeping a close eye on user reports and reviews of the a99ii, which to me is a much nicer design, but has yet to be proven to be able to stand up to the sort of treatment it would receive in my hands, i.e. Subjected to extremes of heat and humidity, and getting knocked against boulders etc quite regularly. Canons can handle that, but I'm not sure that Sony could.

Do you use your Sony in extreme conditions? By the way, I appreciate having an intelligent discussion on this. It makes a nice change from some of the fanboy exchanges!

@entoman Thank you! The A7RII ergonomics is not bad at all with the battery grip and some button/menu customization. Actually, once you get used to it is just as good if not better, just different. The fact is that the few times I need to switch from the A7RII to the 1DX I miss the shooting experience of the A7RII. This surprises myself too as I have always been a DSLR fanboy and worked for years with all the best camera bodies Canon has offered. I'd say responsiveness and a better monitor (touch screen too!) are really what Sony needs to work on. Other improvements are welcome, but it really boils down to this.

George Zip - That is completely illogical. If you purchased the camera and thought it was awesome, why were you then swayed by someone else's opinion? Either it suited you or it didn't. Yes, Canon have fallen behind in the race for ever-better specifications, but as a picture-making machine, the 5DMkiv is extremely well designed. I have criticisms of it of course, e.g. I would greatly prefer twin SD slots, many users would like an articulated screen, but it is still nevertheless an excellent machine for stills photography. Yes, the 6D struck a good balance between price and performance and I know several people who love it, but I had 2 of them and found them unreliable in very hot/humid conditions, so switched to the 5DMkiii and later to the 5DS.

I've owned, or in some instances hired and extensively field-tested D610, D810, a7Rii and all are excellent cameras. I use Canon in preference to Sony or Nikon for 3 main reasons. Firstly, I love Canon glass and have several L primes. Secondly, because I find Sony cameras fiddly to operate with hot sweaty hands or in cold conditions with gloves. Hopefully the next generation of Sony cameras will be better ergonomically. Thirdly, never-to-be-repeated shots can easily be missed during the adaptation period after switching brands, so I would only switch if the 'opposition' offered really substantial advantages for my own genres of photography.

Armandino - I agree that the 5DMkiv is a very 'safe' upgrade for owners of 5DMkiii or earlier. I'd certainly be very happy to exchange my 5DMkiii for the 5DMkiv and run the latter alongside my 5DS. The problem is that innovative companies like Sony (and in the M43 world, Olympus) are offering features that open up new areas of photography, whereas Canon are not (with the exception of dual pixel AF). And even the less innovative but highly regarded Nikon, produce cameras that are a couple of years ahead of Canon in specification and performance (e.g. AF subject tracking), and equally reliable, for a lower price.

@George Zip I have no objections to your observations. And I agree that the 5DIV consolidates current technology in a rugged and reliable body.

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Although a personal preference, I think that cameras like the A7RII opens up a range of creative opportunities that traditional shooter either underestimate just because unaware, or openly in denial. I shoot with both 1DX and A7RII (aside from a realm of other cameras too). I will pick the the 1DX for the ultimate reliability, but 95% of the times it is the A7RII and the 1DX stays in the bag.

There are so many shots that I just cannot get with the 1DX, but not vice versa, unless i truly need shear speed. But with the A99II on the market and with its astonishing performance I can hope that the speed will be addressed soon enough with the next Sony body. Then, if that is the case, the 1DX (and the 5DIV) will be truly obsolete, and that could well be just a few months away. Armandino - I totally agree that Sony are setting a blazing pace.

Personally I find the a7Rii still a bit 'fiddly' and prefer Canon ergonomics. As we have both pointed out in previous threads, the a99ii could be a game-changer (hate that expression), combining extremely good DSLR-style ergonomics with the best tech that Sony can offer. The next generation of Sony will probably blow Canon and Nikon out of the water, but at this current moment, I can do everything that I want to do (and it's quite an extensive list) with the 5DS. My niche is Mountain Real Estate which often requires shooting interiors of dark cabins and layering in a 10 stop swing from the dark areas of a room to the outside views often with reflective lake thru the windows.

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While other brands that might have a better Dynamic Range, the MKIV is blazing fast and very accurate with it's new AF system. I'm comfortable with its touch screen menu and color reproduction My 6D was the interim camera from my MKII. The 6D had better focus and lower noise at higher iso, for me, it filled the gap waiting for the MKIV and held its own against the MKIII. I'm just exploring the new features of the MKIV and for my use it's already a no brainer.

Depending on what your needs are it might not be the right camera for you or someone else. Now with that said, it's not a leap forward like the previous iterations like from the 5D to the 5D II but it's a well rounded camera that will be an excellent upgrade for many still shooters. Only two things that can be done to substantially improve high ISO performance Back illuminate/improve microlenses, will buy less than a stop maximum, and at significant expense. Replace bayer matrix with 3 sensors, or 'foveon' sensor. Not sure how well it could work with back illumination.

Maybe one stop improvement. Reducing readout noise won't get you very far: ISO100 full well = 80000e 18% grey =14000e simple shadows (-3ev from 18% grey) =1800e shot noise in shadow = sqrt(1200e) = 42e iso25600 full well = 312e 18% grey =56e simple shadows (-3ev from 18% grey) =7e shot noise in shadow = sqrt(5e) = 2.7e readout noise on my 6D at ISO 25600 = 1.6e Less readout noise is nice, but we are shot noise limited @ISO25600. Low ISO is a different matter, there the 5DIV wins by a country mile. EXX - My guess is that the Canon would have the better AF system, but the Sony would score higher on image quality and other aspects of specification.

Sony is the market leader in terms of innovation and performance, but as KingofSong states 'Canon has the far superior lens line up'. That, and the fact that it is generally accepted that Canon has far superior ergonomics, far better battery life, and proven reliabilty and durability, are the reasons why Canon remains the market leader, despite having fewer 'features' and slightly lower specification. That's Canon's trump card over the competition.their excellent L series glass. That's why I think many stick with the brand, despite Canon camera bodies generally being technically inferior and overpriced (currently in my part of the world, the brand new Nikon D850 is only slightly more expensive than the now 2 year old 5D Mk4!) compared to those from Nikon, Sony etc. And to think once Canon were the leader on the DSLR front too! They've become arrogant and lazy in that department unfortunately. But those excellent lenses.

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